Flying Low In The Attic // Looking Up In The Attic

Somewhere above the rooms, under the slates, something wakes when the light goes. It lives in the attic, or perhaps in the roof of an old barn. Nobody has ever seen it by day.

These pieces are made in the same way as stained glass, only in three dimensions. Everything starts with stainless steel, cut into irregular fragments. Each piece of stainless steel is edged with molten tin and joined to the next by hand, leaving the traces of the gesture visible.

Soldering is a slow, physical process. The result is never completely even, and I have chosen to leave these small irregularities visible. The result is a form that appears fragile, made of thin metal fragments framed by delicate lines of solder. Each element supports the next, and the whole structure stands on only a few points of contact. The sculpture grows irregularly, like a branch or a crystal, balancing fragility and strength.

Two sizes are available. The small one is lower and more compact, holding one candle, while the larger one has wings extending from its body and holds three candles.

Both sizes are also available with recycled glass fragments, in amber and dark brown tones. The glass is broken into different shapes, each piece taking its own form. Every fragment is held within the structure by the same soldered edge. No two pieces are exactly alike, as the glass always breaks differently.

Tall version: L 42 × W 28 × H 25 cm (H 40 cm with candles)

Small version: L 30 × W 18 × H 18 cm (H 40 cm with candles)

Limited Edition of 12.

PRODUCT DETAILS

  • Artist

    Vincent Decat

  • Designed

    2026

    Vincent Decat

    Artist

    Vincent Decat

    Born in Paris in 1997, Vincent Decat is an artist and designer based in his native city. He first trained in industrial design in Brussels, then graduated from the Design Academy Eindhoven in 2023, after an internship at EWE Studio in Mexico City. His work has been shown at Dutch Design Week, Paris Design Week and Cluster Crafts in London.

    His collectible pieces bring sculptural thinking into everyday use. Their forms suggest life and movement, and seem to breathe, shift, or stir, as in the Came Uninvited series. These animal-like qualities turn functional objects into personal, engaging presences. For Decat, how long an object lasts depends less on its materials than on the bond it creates. “My pieces are intended to be companions more than possessions,” he explains, hoping people will grow attached to them the way they would to a cherished animal.

    By making objects that feel almost alive, he encourages a relationship of care rather than consumption: pieces to keep, protect, and cherish over time.