{"title":"PAD 2026","description":"\u003cp\u003eThis is text about PAD\u003c\/p\u003e","products":[{"product_id":"namoradeira-jose-zanine-caldas","title":"Namoradeira","description":"\u003cp\u003eOne of the most visionary figures in Brazilian design, José Zanine Caldas was entirely self-taught. Born in Caravelas, Bahia, he began as a carpenter before becoming the conscience of ecological design in South America. In the 1950s he founded Zantena, producing furniture in moulded plywood. By the 1970s his practice had shifted toward radical reverence for raw timber — reclaimed, carved, and shaped entirely by hand. Zanine believed that furniture was architecture at human scale and that the hand of the maker was never to be disguised.\u003c\/p\u003e\n\n\u003cp\u003eHis Namoradeira — literally \"the chair chair of the lovers\" — is among the most iconic forms in 20th-century Brazilian design. This example, solid carved wood, signed by the artist, from the 1970s, is a unique and rare piece. His work is held in the collections of MoMA New York, the Victoria \u0026amp; Albert Museum (London), and the Museu de Arte de São Paulo.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57024405406069,"sku":"PAR-","price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/Namoradeira_web_6.jpg?v=1775464498"},{"product_id":"black-magdalena-abakanowicz","title":"Black","description":"\u003cp\u003eOne of the most important artists of the 20th century, Abakanowicz studied at the Academy of Fine Arts in Warsaw during the Stalinist era — an education both enabled and constrained by a regime she would spend her career resisting. Working in the tradition of Polish textile art but radically transforming it, she created monumental woven works — \"Abakans\" — that redefined fiber as sculpture. Through scale, mass, and darkness, her works addressed anonymity, memory, and the body under totalitarianism.\u003c\/p\u003e\n\n\u003cp\u003eShe represented Poland at the Venice Biennale (1980), received the Praemium Imperiale (1995), and held a retrospective at MoMA, New York. Her work is in the permanent collections of the Tate, Centre Pompidou, the Hirshhorn, and over sixty museum institutions worldwide. \"Black\" (1971) belongs to her most celebrated period — the early Abakans — when fiber became presence, and cloth became architecture.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57024405438837,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/Abakanowicz_web_1.jpg?v=1775578715"},{"product_id":"moon-sofa-zaha-zadid","title":"Moon Sofa","description":"\u003cp\u003eThe first woman to receive the Pritzker Architecture Prize (2004). Born in Baghdad, trained at the Architectural Association in London, Zaha Hadid built a practice grounded in the rejection of the right angle and the embrace of fluid, dynamic form. Her buildings — from the MAXXI in Rome to the Guangzhou Opera House — redefined the limits of what architecture could be. Her design objects applied the same logic: architectural thinking at domestic scale.\u003c\/p\u003e\n\n\u003cp\u003eThe Moon Sofa (2007), manufactured by B\u0026amp;B Italia, is among the most recognised furniture objects of the early 21st century. This example is upholstered in Rubelli — a Venetian textile house founded in 1858, producing fabrics for palaces and private commissions across Europe. The combination of Hadid's radical form with Rubelli's historic craft produces a singular object: two great traditions, one piece.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57024405471605,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/MoonSofa_7.jpg?v=1775464464"},{"product_id":"vault-moulay-hafid-sdikiene","title":"VAULT","description":"\u003cp\u003eThe VAULT cabinet by Moulay Hafid Sdikiene is part of Halocline (2026), a collection examining how distinct materials meet, resist, and remain separate within a single structure. It is composed of cast aluminium and CNC-machined jade onyx and developed through a process that combines digital modelling with extensive hand finishing. The aluminium is cast in sections and assembled with visible joins, while the stone elements are refined manually after machining to introduce controlled irregularities.\u003c\/p\u003e\n\n\u003cp\u003eThe object is structured as a vertical mass interrupted by a horizontal stone element, which functions both as a visual and structural division. Surface treatments unify the piece without removing evidence of fabrication, maintaining a consistent but materially active finish.\u003c\/p\u003e\n\n\u003cp\u003eHalocline takes its name from the natural phenomenon in which bodies of water with different salinity meet without fully mixing, forming a visible boundary — a principle translated here into the controlled separation of material elements.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57024405504373,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/Hafid_vault_web_2.jpg?v=1775464825"},{"product_id":"mass-moulay-hafid-sdikiene","title":"MASS","description":"\u003cp\u003eThe MASS table by Moulay Hafid Sdikiene is part of Halocline (2026), a collection examining how distinct materials meet, resist, and remain separate within a single structure. The surface retains controlled traces of grinding, sanding, and welding, producing a consistent but materially active finish.\u003c\/p\u003e\n\n\u003cp\u003eAlthough executed in a single material, the table is composed as a sequence of distinct volumes. The base is divided into separate blocks, joined but not fully unified, creating visible seams that structure the object. These divisions establish a reading of the table as an assembly rather than a continuous form.\u003c\/p\u003e\n\n\u003cp\u003eHalocline takes its name from the natural phenomenon in which bodies of water with different salinity meet without fully mixing, forming a visible boundary — a principle translated here into the controlled separation of material elements.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57024405537141,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/Hafid_table_web_1.jpg?v=1775464358"},{"product_id":"sconce-4854-natalia-landowska","title":"Sconce 2333","description":"\u003cp\u003eSconce 2333 by Natalia Landowska is part of Laminae (2026), a series examining the uppermost layers of the earth through ceramic and light. The work is formed using a composite of porcelain clay and paper pulp, enabling thin, extended structures that retain strength after firing.\u003c\/p\u003e\n\u003cp\u003eThe surface is defined by accumulated glaze layers, applied and reworked over time. During firing, these layers shift, crack, and separate, creating a complex skin that records both construction and transformation. The ceramic body filters the internal light source, producing a subdued and controlled illumination.\u003c\/p\u003e\n\u003cp\u003eAcross the series, Landowska treats light as a structural element, shaping perception as much as the ceramic form itself.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57024405602677,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/5_Nataliascone_1_web_bd7b8691-7360-4d0e-af7e-7014adfb04b1.jpg?v=1775643779"},{"product_id":"hollow-natalia-landowska","title":"Hollow","description":"\u003cp\u003eThe Hollow Mirror by Natalia Landowska is part of Laminae (2026), a series examining the uppermost layers of the earth through ceramic surfaces and material accumulation. The frame is constructed from porcelain clay combined with paper pulp, shaped and fired to retain irregular edges and variations in density.\u003c\/p\u003e\n\n\u003cp\u003eThe surface is developed through layered glaze applications, which shift and fragment during firing, producing a textured and unstable perimeter. The reflective mirror plane is set within this structure without attempting formal continuity between materials.\u003c\/p\u003e\n\n\u003cp\u003eThe contrast between the precision of the mirror and the variability of the ceramic frame defines the work. Landowska’s practice consistently situates form at the intersection of control and material behaviour.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57024405635445,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/Nataliemirror_1_web.jpg?v=1775643189"},{"product_id":"act-iii-igor-dobrowolski","title":"ACT III","description":"\u003cp\u003eACT III by Igor Dobrowolski is a bronze and concrete sculpture that returns to the origins of his practice in figuration. A vertical concrete core is encircled by cast bronze elements that extend and wrap around it, suggesting fragmented limbs rather than a complete body.\u003c\/p\u003e\n\n\u003cp\u003eThe polished bronze contrasts with the raw surface of the concrete, structuring the work through opposition. Dobrowolski develops his sculptures from the human figure, reducing and reconfiguring it into compositions where balance is achieved through tension and placement rather than symmetry.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57024405668213,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/Igor_web4.jpg?v=1775464147"},{"product_id":"tor","title":"TOR","description":"\u003cp\u003eThe TOR chair by Moulay Hafid Sdikiene is part of Halocline (2026), a collection examining how distinct materials meet, resist, and remain separate within a single structure. The work is produced through a combination of digital modelling, sand casting, and hand finishing, with surfaces intentionally retaining grinding, sanding, and welding marks as part of a controlled finish.\u003c\/p\u003e\n\u003cp\u003eThe chair is constructed from cast aluminium elements assembled into a compact, load-bearing form. The vertical back structure introduces a rigid rhythm, while the granular surface of the cast metal absorbs light and emphasises material density. Each junction remains visible, reinforcing the logic of assembly rather than concealment.\u003c\/p\u003e\n\u003cp\u003eHalocline takes its name from the natural phenomenon in which bodies of water with different salinity meet without fully mixing, forming a visible boundary — a principle translated here into the controlled separation of material elements.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57031616627061,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/Hafid_Tor_web_5.jpg?v=1775464620"},{"product_id":"halo-moulay-hafid-sdikiene","title":"HALO","description":"\u003cp\u003eThe HALO ceiling light by Moulay Hafid Sdikiene is part of Halocline (2026), a collection examining how distinct materials meet, resist, and remain separate within a single structure. The surface retains controlled traces of grinding, sanding, and welding, producing a consistent but materially active finish.\u003c\/p\u003e\n\n\u003cp\u003eThe light is constructed as a compact suspended volume combining cast aluminium and jade onyx. Illumination is contained within the structure and diffused through the material, producing a controlled and indirect output. The object is defined by the relationship between internal light and external surface, with the stone element introducing a secondary register of density within the composition.\u003c\/p\u003e\n\n\u003cp\u003eHalocline takes its name from the natural phenomenon in which bodies of water with different salinity meet without fully mixing, forming a visible boundary — a principle translated here into the controlled separation of material elements.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default","offer_id":57044906049909,"sku":null,"price":22000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/lampweb.jpg?v=1775731554"},{"product_id":"sconce-3647-natalia-landowska","title":"Sconce 3681","description":"\u003cp\u003eSconce 3681 by Natalia Landowska is part of Laminae (2026), a series examining the uppermost layers of the earth through ceramic and light. The piece is constructed through a process of layering, carving, and firing, with glaze applied in multiple stages to build depth and variation across the surface.\u003c\/p\u003e\n\u003cp\u003eThe resulting form retains visible irregularities, including fractures, softened edges, and variations in thickness. These are not defects but outcomes of a controlled process in which the material is pushed to its limits. Light interacts with the surface to reveal shifts in opacity, texture, and density.\u003c\/p\u003e\n\u003cp\u003eAcross the series, Landowska treats light as a structural element, shaping perception as much as the ceramic form itself.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default","offer_id":57044906279285,"sku":null,"price":13000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_Nataliascone1web.jpg?v=1775643442"},{"product_id":"sconce-3681-natalia-landowska","title":"Sconce 4053","description":"\u003cp\u003eSconce 4053 by Natalia Landowska is part of Laminae (2026), a series examining the uppermost layers of the earth through ceramic and light. The form is developed through an additive process, with clay built up, altered, and partially reduced before firing.\u003c\/p\u003e\n\u003cp\u003eGlaze is applied in thick, paste-like layers, then subjected to heat conditions that produce cracking, separation, and tonal variation. The final surface is uneven and stratified, with light interacting differently across each section. The internal light source is contained, producing a diffused and indirect effect.\u003c\/p\u003e\n\u003cp\u003eAcross the series, Landowska treats light as a structural element, shaping perception as much as the ceramic form itself.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default","offer_id":57044906344821,"sku":null,"price":13000.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/3_Nataliascone_1_web_1e51429c-53f1-4b72-9c0f-57cb7a8bcf70.jpg?v=1775643707"},{"product_id":"sconce-2333-copy","title":"Sconce 8115","description":"\u003cp\u003eSconce 8115 by Natalia Landowska is part of Laminae (2026), a series examining the uppermost layers of the earth through ceramic and light. The work is formed using a composite of porcelain clay and paper pulp, enabling thin, extended structures that retain strength after firing.\u003c\/p\u003e\n\u003cp\u003eThe surface is defined by accumulated glaze layers, applied and reworked over time. During firing, these layers shift, crack, and separate, creating a complex skin that records both construction and transformation. The ceramic body filters the internal light source, producing a subdued and controlled illumination.\u003c\/p\u003e\n\u003cp\u003eAcross the series, Landowska treats light as a structural element, shaping perception as much as the ceramic form itself.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57049309151605,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/2F2A0884s_13e9775a-8271-4e8b-8f4b-4345a9d76645.jpg?v=1775644679"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/collections\/PADsmol_b09a8386-cb96-48fe-9c51-5420297c2a26.jpg?v=1779719448","url":"https:\/\/galerieboketto.com\/collections\/pad-2026.oembed?page=2","provider":"Boketto ","version":"1.0","type":"link"}