{"title":"From the Archive","description":"\u003cp\u003eThroughout November, Galerie Boketto opens its archive. Pieces from the 1960s to the 1980s, each restored to original specification, are released over the course of the month, to view online and in the gallery.\u003cbr\u003e\u003cbr\u003eThe works presented are available by private offer. They are a selection, not the whole: a larger catalogue of archive pieces is available on request at \u003cspan\u003e\u003cspan draggable=\"true\"\u003e\u003ca aria-haspopup=\"menu\" href=\"mailto:paris@galerieboketto.com\" rel=\"noopener noreferrer\" target=\"_blank\"\u003eparis@galerieboketto.com\u003c\/a\u003e\u003c\/span\u003e\u003c\/span\u003e.\u003cspan\u003e \u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"pilao-armchair","title":"Pilão armchair","description":"\u003cp\u003eThe Pilão armchair is one of the defining works of José Zanine Caldas’s sculptural period. He made it in the 1970s in his workshop at Nova Viçosa, on the coast of Bahia. Its name means “pestle” in Portuguese and refers to the wooden mortar of Brazilian vernacular tradition, a vessel hollowed out of a single trunk to pound grain. Caldas carved the chair the same way, from one solid block of native hardwood, so that seat, back and arms form a single continuous mass that keeps the natural contours of the tree. The Pilão belongs to his \u003cem\u003eDenúncia\u003c\/em\u003e (Denunciation) work, which used trees felled or left behind by the deforestation of Brazil’s Atlantic Forest. Each chair is therefore unique: part furniture, part sculpture, and part an early statement of ecological protest.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57652523663733,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/IMG_6194_JPG.jpg?v=1791975368"},{"product_id":"onda-bench-by-jorge-zalszupin","title":"Onda Bench","description":"\u003cp\u003eJorge Zalszupin trained as an architect at the École des Beaux-Arts in Bucharest before practising in Paris, then relocated to Brazil in 1949, drawn by the work of Oscar Niemeyer and Roberto Burle Marx. In the 1950s he founded L'Atelier in São Paulo, a workshop devoted to sculptural furniture in native Brazilian hardwoods, above all jacaranda and rosewood. His pieces were chosen by Niemeyer to furnish the Palácio da Alvorada and Palácio do Planalto in Brasília, cementing his place among the giants of Brazilian mid-century modernism.\u003c\/p\u003e\u003cp\u003eThe Onda (\"Wave\") bench with magazine rack is one of Zalszupin's most sculptural designs for Atelier Moveis, its long undulating rosewood form doubling as seating and integrated storage. This example, produced in the 1950s, shows the fluid lines, warm patina, and precise joinery that defined his output — furniture conceived as architecture at human scale.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731998843253,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_fe2a1b92-a5ad-466e-a99f-81aa668e04bb.png?v=1794049106"},{"product_id":"canada-tecno-chair-and-ottoman-by-osvaldo-borsani","title":"Canada Tecno chair and ottoman","description":"\u003cp\u003eOsvaldo Borsani, co-founder of Tecno and a defining figure of postwar Italian design, developed the Canada armchair and ottoman in 1965 as a mature counterpoint to his celebrated P40 reclining chair. The design began as a student study by Valeria Borsani and Marco Fantoni, which Borsani reworked entirely, giving it his own structural signature: two shell-like sides in moulded plywood with walnut veneer, joined by contoured solid wood crosspieces, with leather cushions fixed by the wooden buttons that became a Tecno hallmark. Produced under the model reference P110, the set pairs sculptural restraint with the technical rigour that defined the house. This example retains its original construction and remains among the most sought-after lounge forms of 1960s Italian design, a natural companion piece to Borsani's other work for Tecno.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731998876021,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/2_072b12a4-7130-4972-b88c-24c06424a8b3.png?v=1793987264"},{"product_id":"s32-spvnl-chair-by-marcel-breuer","title":"S32 SPVNL chair","description":"\u003cp\u003eDesigned by Marcel Breuer in 1929–30, the S 32 is among the earliest and most influential examples of the cantilever chair, a form that dispensed with rear legs entirely to let a single continuous curve of tubular steel carry the sitter's weight through tension and flex. Developed during Breuer's tenure associated with the Bauhaus, the design channels the movement's core conviction that industrial materials — here, chrome-plated tubular steel — could produce forms of structural clarity and visual lightness previously unknown in seating.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731998908789,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_b2bf0996-07d1-43fd-b6c9-c1627bd5db60.png?v=1794049879"},{"product_id":"croissant-sofa-by-raphael-raffel","title":"Croissant Sofa","description":"\u003cp\u003eConceived in 1970 by French designer Raphaël Raffel for the storied Parisian workshop Maison Honoré, the \"Croissant\" sofa is among the most sought-after expressions of 1970s French curvilinear design. Its crescent-shaped silhouette — sculptural, enveloping, and entirely without right angles — was executed as a bespoke commission, each example hand-built to its original client's specifications. The result is a landscape-like seat of exceptional generosity, upholstered variously in leather, mohair velvet, bouclé, or alpaca depending on the commission, and prized today for its rarity and its total departure from orthogonal seating conventions. Produced in extremely limited numbers out of Maison Honoré's Paris atelier into the early 1980s, surviving examples surface only sporadically on the market and stand as a benchmark of postwar French collectible design, alongside contemporaries such as Michel Boyer and Jean Royère.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731998974325,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/croissantsofa.png?v=1791973519"},{"product_id":"bird-chair-and-ottoman-by-harry-bertoia","title":"Bird chair and ottoman","description":"\u003cp\u003eBorn in 1915 in San Lorenzo, Friuli, Harry Bertoia emigrated to the United States as a teenager and trained at Cranbrook Academy of Art. There he taught metalwork, met Florence Knoll and worked with Charles Eames. He joined Knoll in 1950 with full freedom to experiment. His research into welded steel rod produced the 1952 wire collection, a landmark of mid-century modern design that has remained in continuous production since.\u003c\/p\u003e\u003cp\u003eThe Bird Chair is the most sculptural piece in that series. Its high back and wide wings open around the sitter, holding a padded, upholstered cushion. The matching ottoman completes the set. Bertoia considered his chairs studies in space, form and metal, and here industrial material becomes something closer to sculpture. This Bird Chair \u0026amp; Ottoman by Harry Bertoia for Knoll is an enduring icon of American modernism.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999007093,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_59b7368c-7bdc-43f3-ab11-934bfd07d250.png?v=1794050860"},{"product_id":"rio-chair-by-oscar-niemeyer","title":"Rio chair","description":"\u003cp\u003eConceived in 1978 by Oscar Niemeyer with his daughter Anna Maria Niemeyer, the Rio chaise longue brings the language of Brazilian modernist architecture to human scale. A single continuous S-curve, drawn in moulded plywood and caned or upholstered, rests on two arched rocking bases. The form recalls the free curves that defined Niemeyer’s buildings, from Pampulha to Brasília, and the coastline of the city that gave the piece its name.\u003c\/p\u003e\u003cp\u003eThe Rio was first produced in Brazil by Tendo Brasileira in very limited numbers, and later editions followed with Teperman, Etel and the Italian manufacturer Fasem. It is among the most celebrated designs in 20th-century Brazilian furniture, and an example is held in the permanent collection of the Los Angeles County Museum of Art (LACMA). It is both sculpture and seat, a rocking chaise that holds its own in any interior.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999039861,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/2_a4a12591-9ffd-4168-8a00-9a50712092b9.png?v=1793986605"},{"product_id":"sofa-and-seats-set-by-percival-lafer","title":"Sofa and chair set - MP91 \u0026 MP163","description":"\u003cp\u003eBorn in São Paulo in 1936 into a family of Brazilian furniture manufacturers, Percival Lafer trained as an architect at the Mackenzie School before joining the family firm, Lafer S.A. He turned what had been a domestic operation into one of Brazil's largest furniture exporters — designing seating that fused Brazilian rosewood frames with sumptuous leather upholstery and, crucially, modular comfort that could be shipped flat across continents.\u003c\/p\u003e\u003cp\u003eLafer's sofas of the 1960s and 70s — most famously the MP-001 and MP-097 series — became emblems of Brazilian mid-century design abroad, defining the look of high-end interiors in São Paulo, New York and Tokyo. His work is now widely collected on the international vintage market.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999072629,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_8f0ab4e3-bd7a-4202-b49f-6311b2bb6353.png?v=1794052260"},{"product_id":"living-room-set-pk31-3-by-poul-kjaerholm","title":"Living room set PK 31\/3","description":"\u003cp\u003eTrained as a cabinetmaker before studying under Hans Wegner, Danish designer Poul Kjærholm worked almost exclusively in steel — a material his Scandinavian peers regarded as cold and industrial. Born in 1929, he saw steel as a natural element, an equal partner to wood and leather, and his entire body of work, produced first by E. Kold Christensen and today by Fritz Hansen, refines that conviction with rare austerity and precision.\u003c\/p\u003e\u003cp\u003eDesigned in 1958, the PK31 carries the lineage of Mies van der Rohe's Barcelona chair into a softer, modular form. This example retains its original tan aniline leather over a matte chromed spring-steel frame, the leather aged to a deep, warm patina. Kjærholm's furniture is held in the Designmuseum Danmark, the Louisiana Museum, and MoMA New York.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003ePK31\/1 (single): H: 71 cm x W: 78 cm x D: 76 cm — Seat height: 36 cm\u003cbr\u003ePK31\/2 (two-seater): H: 71 cm x W: 152 cm x D: 76 cm — Seat height: 36 cm\u003cbr\u003ePK31\/3 (three-seater): H: 71 cm x W: 220 cm x D: 76 cm — Seat height: 36 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999105397,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_62ea3fe7-8741-4784-933e-a45278747db1.png?v=1794053428"},{"product_id":"camaleonda-sofa-by-mario-bellini","title":"Camaleonda sofa","description":"\u003cp\u003eMario Bellini brought the discipline of post-war Italian rationalism into dialogue with the looser, more sensual currents of the late 1960s. His work for Olivetti, Cassina and B\u0026amp;B Italia earned him eight Compasso d'Oro awards and a permanent retrospective at MoMA New York in 1987. Few designers shaped the aesthetic of Italian domestic life more decisively.\u003c\/p\u003e\u003cp\u003eDesigned in 1971 for C\u0026amp;B Italia (now B\u0026amp;B Italia), the Camaleonda — from \"chameleon\" and \"onda\" (wave) — abandoned the fixed silhouette of the sofa in favour of a system of independent modules joined by rings, hooks and cables. Reissued in 2020 to enormous acclaim, the Camaleonda is held in the permanent collection of MoMA New York.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions (per module)\u003c\/strong\u003e\u003cbr\u003eSeat with backrest (without armrest): H: 64 cm x W: 100 cm x D: 100 cm — Seat height: 36 cm\u003cbr\u003eSeat with backrest and armrest: H: 64 cm x W: 116 cm x D: 100 cm — Seat height: 36 cm\u003cbr\u003eOttoman \/ seat without backrest: H: 36 cm x W: 100 cm x D: 100 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999170933,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_b1a67922-5088-429b-b0dc-6e740a1bf951.png?v=1794055590"},{"product_id":"dining-table-by-jorge-zalszupin","title":"Dining table by Jorge Zalszupin","description":"\u003cp\u003eBorn in Warsaw in 1922, Jorge Zalszupin arrived in Brazil in 1949 and founded L'Atelier in São Paulo — a studio that gave him full control over design and production. He worked alongside Niemeyer and Burle Marx, furnishing the buildings that defined Brazilian modernism at its peak.\u003c\/p\u003e\u003cp\u003eThe Guanabara, designed in 1959, is his most celebrated table. A patchwork of Brazilian rosewood veneers — arranged to expose the full tonal range of the wood — rests on a single concrete base wrapped in black leather. The technique was both practical and visionary: nothing wasted, nothing unconsidered. Named after Rio's great bay, it remains one of the most quietly radical tables in 20th-century design.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999203701,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_dc9acdd2-079e-4930-b4f0-ebb63073647a.png?v=1794056109"},{"product_id":"confidential-sofa-set-by-alberto-rosselli","title":"Confidential sofa set","description":"\u003cp\u003eAlberto Rosselli was among the defining figures of Italy's postwar industrial design revolution. Trained as an architect in Milan, he co-founded the influential journal Stile Industria in 1954 and became a leading voice in the discourse between industry and aesthetics. A professor at the Politecnico di Milano and a founding member of ADI (Associazione per il Disegno Industriale), Rosselli worked at the intersection of structural rigour and sensory experience. He died in 1976, leaving a body of work that helped shape the vocabulary of Italian modernism.\u003c\/p\u003e\u003cp\u003eThe Confidential sofa, designed for Saporiti Italia in 1968, is one of Rosselli's most resolved statements. Its low-slung fiberglass shell — upholstered in generous cushioned sections — projects an air of calculated ease. Architectural in silhouette yet intimate in scale, it captures the mood of late-1960s Italian design: bold, forward-looking, and quietly subversive. Original examples in good condition are increasingly sought after by collectors of 20th-century Italian furniture.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eSingle seat (armchair) module: H: 68 cm × W: 90 cm × D: 90 cm × Seat height: 35 cm\u003cbr\u003eTwo-seater module: H: 68 cm × W: 160 cm × D: 90 cm × Seat height: 35 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999236469,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_261e3972-4f16-4099-9749-e53b99f4f2a1.png?v=1794057021"},{"product_id":"dining-chairs-set-the-chair-by-hans-wegner","title":"Dining chair set \"The Chair\" by Hans J. Wegner","description":"\u003cp\u003eHans J. Wegner is the undisputed master of the Danish chair. Born in Tønder in 1914, he trained as a cabinetmaker before studying at the Copenhagen School of Arts and Crafts, going on to design more than 500 chairs over a career that spanned six decades. His work distilled the principles of Danish Modernism to their essence: honest materials, craftsmanship made visible, and form in absolute service to the human body.\u003c\/p\u003e\u003cp\u003eDesigned in 1949 and first produced by Johannes Hansen, The Chair — formally the PP503 — is widely regarded as one of the most perfect chairs ever made. Its continuous curved back rail and arm, carved from solid wood and joined without visual interruption, achieve a sculptural unity that few objects in 20th-century design have matched. It entered global consciousness when it appeared at the 1960 Kennedy–Nixon presidential debate, the first televised debate in American history. Wegner's work is held in the permanent collections of the Museum of Modern Art, New York, and the Design Museum Denmark, Copenhagen.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999269237,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_b572a9d6-57b5-4bc0-a4ba-8a60cf91eeda.png?v=1794057446"},{"product_id":"corbi-sofa-by-klaus-uredat","title":"Corbi sofa","description":"\u003cp\u003eKlaus Uredat (born 1932, Germany) was a German industrial designer who came of age during the post-war reconstruction era. He began his design career in the 1960s, working primarily on seating systems. His philosophy centered on versatility, ergonomics, and clean sculptural form. While not as widely celebrated as some contemporaries, his influence on modular furniture design was significant and his work remains highly regarded among collectors and design historians. Designed in 1969 and produced by German manufacturer COR from 1972–1974, the Corbi is a modular seating system built around a simple but striking idea: each module pairs a rounded base with a detached cylindrical seatback cushion. Modules work alone as lounge chairs, combine into a sofa, or lay flat as a daybed. The short production run makes originals rare and highly collectible.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999302005,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_e7a51aba-568c-4fd5-ad5c-d22e7fbdbe1f.png?v=1794058825"},{"product_id":"yoga-chair-by-erik-magnussen-kevi","title":"Yoga chair","description":"\u003cp\u003eAmong the most disciplined voices of Danish modernism, Erik Magnussen trained at the School of Arts and Crafts in Copenhagen before forging a career defined by structural ingenuity and material restraint. Where many of his contemporaries chased ornament, Magnussen pursued the irreducible — forms that earned their elegance through function. His long collaboration with Kevi, the Danish manufacturer renowned for precision engineering, produced some of the most quietly radical seating of the 1970s.\u003c\/p\u003e\u003cp\u003eThe Yoga Lounge Chair, designed in 1972, is one such object. Its chrome-plated tubular steel frame bends and curves with the ease of a single continuous gesture, cradling a moulded plywood shell in a posture that gives the chair its name. Robust enough for public environments — ferries, train stations, institutions — yet refined enough for the private interior, it occupies a rare position in Scandinavian design: genuinely both.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999334773,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/P1008587copiar.jpg?v=1794059645"},{"product_id":"terrazza-ds-1025-09-by-ubald-klug","title":"DS-1025\/09 Terrazza","description":"\u003cp\u003eDesigned in 1973 by Swiss architect Ubald Klug for de Sede, the Terrazza (DS-1025) was conceived as a landscape rather than a sofa — a stepped, terraced form inspired by the alpine valleys of Klug's native Switzerland. Trained in Zürich and Paris under Jean Prouvé, Klug brought an architectural rigour to upholstery: each module reads as a section of mountainside, the leather pulled taut over foam to articulate the strata of the slope.\u003c\/p\u003e\u003cp\u003eHand-upholstered in the de Sede workshops in Klingnau, the Terrazza came to define the dialogue between Swiss craftsmanship and the conversation-pit aesthetic of the 1970s. It is held in the permanent collection of the Vitra Design Museum (Weil am Rhein) and remains one of the most coveted modular sofas of the era.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999695221,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/2_4f2a7274-6b66-4316-bcf3-b97bcf0e47c4.png?v=1794059972"},{"product_id":"gs195-sofa-set-by-gianni-songia","title":"GS195 sofa set","description":"\u003cp\u003eGianni Songia was an Italian furniture designer, best known for the GS195 sofa\/daybed he designed for Sormani in 1963. It's a sculptural piece with a rosewood sliding frame and leather cushions, designed so it converts from a sofa into a daybed — a hallmark of the practical yet elegant Italian design of that era. The piece remains a sought-after collector's item today, showing up regularly at vintage design dealers and auctions.\u003c\/p\u003e\u003cp\u003eThe GS195 (1963) is a mid-century Italian sofa\/daybed with an adjustable backrest that folds down to convert it from sofa to daybed. It has a sculptural rosewood frame with the back and side elements angled to give it a floating, architectural look, and hidden legs. Cushions are typically black leather, though white and other leather colors show up on some examples.\u003c\/p\u003e\u003cp\u003eThis set consists of 3 pieces: 1 seater, 2 seater and 3 seater sofa.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999727989,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/DSC02707.jpg?v=1794060928"},{"product_id":"petala-side-tables-by-jorge-zalszupin","title":"Petala side tables","description":"\u003cp\u003eBorn in Warsaw in 1922 and trained as an architect in Bucharest, Jorge Zalszupin emigrated to Brazil in 1949 and became one of the most refined voices of Brazilian mid-century modernism. In 1959 he founded L'Atelier in São Paulo, a workshop fusing the cabinetmaking discipline of his European training with the rich tropical hardwoods of his adopted country — jacarandá, imbuia, peroba — producing pieces that married Scandinavian rigour with the warmth of Brazilian timber. The Petala table, conceived in the 1960s, is among his most recognisable creations: a circular top composed of overlapping leaf-shaped jacarandá segments, each hand-cut and arranged like the petals of a flower. This side table version retains the marquetry crown of the larger coffee model at a more intimate scale. Zalszupin's work is held in the collection of the Pinacoteca de São Paulo.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 50 cm x Ø: 60 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999760757,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/4_046eeebc-7f10-4dc4-a90e-58cf50fe124d.png?v=1794061274"},{"product_id":"moon-sofa-by-zaha-hadid","title":"Moon sofa","description":"\u003cp\u003eThe first woman to receive the Pritzker Architecture Prize (2004). Born in Baghdad, trained at the Architectural Association in London, Zaha Hadid built a practice grounded in the rejection of the right angle and the embrace of fluid, dynamic form. Her buildings — from the MAXXI in Rome to the Guangzhou Opera House — redefined the limits of what architecture could be. Her design objects applied the same logic: architectural thinking at domestic scale.\u003c\/p\u003e\u003cp\u003eThe Moon Sofa (2007), manufactured by B\u0026amp;B Italia, is among the most recognised furniture objects of the early 21st century. This example is upholstered in Rubelli — a Venetian textile house founded in 1858, producing fabrics for palaces and private commissions across Europe. The combination of Hadid's radical form with Rubelli's historic craft produces a singular object: two great traditions, one piece.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999793525,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/MoonSofa_7.jpg?v=1775464464"},{"product_id":"ginkgo-lamp-by-tommaso-barbi","title":"Ginkgo lamp","description":"\u003cp\u003eA central figure in the brass-and-ceramic golden age of Italian lighting, Tommaso Barbi worked from his Milan studio through the 1960s and 1970s producing lamps, sconces and decorative objects that fused Hollywood Regency glamour with the organic vocabulary of Italian post-war design. Active across the same Milanese circuit as Gabriella Crespi, Romeo Rega and Willy Rizzo, Barbi specialised in botanical motifs — palm fronds, lotus leaves, ginkgo — rendered in polished and patinated brass.\u003c\/p\u003e\u003cp\u003eThe Ginkgo lamp is among his most lyrical pieces: a brass stem branching into the unmistakable bilobed leaf of the ginkgo biloba, which served as both diffuser and sculpture. Barbi's work is now widely collected on the international vintage market as a defining expression of 1970s Italian decorative design.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999826293,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_e24dcd15-21a8-4497-9b21-c42d68bca90f.png?v=1794061752"},{"product_id":"ultrafragola-mirror-by-ettore-sottsass","title":"Ultrafragola mirror","description":"\u003cp\u003eDesigned in 1970 by Ettore Sottsass for Poltronova as part of his \"Mobili Grigi\" series — a domestic furniture line that quietly rejected the heroic modernism of his peers — the Ultrafragola is at once a mirror, a sculpture and a light. Its undulating fibreglass frame, illuminated from within by soft pink neon, evokes a wave, a curl of hair, a body. Sottsass himself described the series as melancholic and intimate, the furniture of an interior life.\u003c\/p\u003e\u003cp\u003eLargely overlooked at its 1970 debut, the Ultrafragola was rediscovered by a younger generation in the 2010s and has since become one of the most photographed objects in contemporary interior design. It is held in the permanent collection of the Centre Pompidou Paris.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 195 cm x W: 100 cm x D: 10 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999859061,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_f4cd67f6-1efc-4df3-ad22-fd260709a27e.png?v=1794064651"},{"product_id":"dining-chair-set-cab-412-black-by-mario-bellini","title":"Dining chair set Cab 412","description":"\u003cp\u003eBorn in Milan in 1935 and trained as an architect under Gio Ponti at the Politecnico, Mario Bellini brought the discipline of Italian rationalism into dialogue with the looser, more sensual currents of late-20th-century design. His work for Olivetti, Cassina and B\u0026amp;B Italia earned him eight Compasso d'Oro awards and a permanent retrospective at MoMA New York in 1987. Few designers shaped Italian domestic life more decisively.\u003c\/p\u003e\u003cp\u003eDesigned in 1977 for Cassina, the Cab 412 inverted the conventional logic of the chair: rather than dressing a structure with upholstery, Bellini built the structure from the upholstery itself — saddle-stitched leather pulled over a slim steel skeleton and zipped shut like a second skin. The Cab series won the Compasso d'Oro in 1979 and is held in the permanent collection of MoMA New York.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 82 cm x W: 47 cm x D: 49 cm — Seat height: 45 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999891829,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_fef90886-aee7-41a8-80a6-5666f36bda4f.png?v=1794062709"},{"product_id":"dining-table-maria-flap-by-bruno-mathsson","title":"Maria Flap dining table","description":"\u003cp\u003eBorn in Värnamo in 1907 into the fifth generation of a Swedish cabinetmaking family, Bruno Mathsson taught himself architecture and design from books — and became Sweden's most internationally significant 20th-century furniture designer. Working with bent-laminated beech and locally sourced birch, Mathsson stripped away every superfluous element of the chair and table, aiming, as he put it, \"to let the body decide the form.\"\u003c\/p\u003e\u003cp\u003eHis drop-leaf table — most famously the \"Maria\" model, conceived in 1936 — folds from a slim console into a full dining table through a continuous pivoting mechanism, all without visible hardware. Mathsson's work is held in the permanent collections of MoMA New York, the Nationalmuseum Stockholm and the Röhsska Museum Gothenburg.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions (Maria-type, approximate)\u003c\/strong\u003e\u003cbr\u003eFolded: H: 71 cm x W: 70 cm x D: 80 cm\u003cbr\u003eFully extended: H: 71 cm x W: 282 cm x D: 80 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999957365,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_4c2aefea-e741-4c1a-936a-2816bd822bf2.png?v=1794062587"},{"product_id":"ds-600-by-ueli-berger","title":"DS-600 sofa","description":"\u003cp\u003eConceived in 1972 by Ueli Berger, Eleonore Peduzzi-Riva, Heinz Ulrich and Klaus Vogt for Swiss manufacturer de Sede, the DS-600 — known as the \"Snake\" or \"Tatzelwurm\" — broke with every convention of what a sofa could be. Rather than a fixed object, its designers proposed an open-ended system: identical seat elements joined by zippers, allowing the sofa to extend, coil, and re-form to its surroundings. Furniture conceived as architecture.\u003c\/p\u003e\u003cp\u003eHand-upholstered in aniline leather over a high-density foam core, each element is built in de Sede's Klingnau workshops, where saddlers have refined the model for over fifty years. The DS-600 holds the Guinness World Record as the longest sofa ever produced and is held in the collections of the Vitra Design Museum (Weil am Rhein) and the Museum für Gestaltung (Zurich).\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57731999990133,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_94280a1b-1e98-43be-88cf-b2a4c9635ab0.png?v=1794062799"},{"product_id":"togo-sofa-set-by-michel-ducaroy","title":"Togo sofa set","description":"\u003cp\u003eWhen French designer Michel Ducaroy presented the Togo to Ligne Roset in 1973, he described it as \"a tube of toothpaste folded back on itself.\" A graduate of the École des Beaux-Arts de Lyon and a third-generation furniture maker, Ducaroy abandoned the rigid frame altogether: the Togo is built entirely of polyester fibre and polyurethane foam, with no internal structure at all. The result was a sofa that sat low to the ground, embraced its occupants, and broke decisively with the upright formality of post-war French upholstery.\u003c\/p\u003e\u003cp\u003eAwarded the René-Gabriel Prize in 1973, the Togo has since sold more than 1.5 million units across 72 countries and is held in the permanent collections of the Centre Pompidou Paris and the Musée des Arts Décoratifs. It remains one of the most enduring icons of 1970s French design.\u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eOne-seater (fireside chair, no arms): H: 70 cm x W: 87 cm x D: 102 cm x Seat height: 38 cm\u003cbr\u003eTwo-seater (loveseat, no arms): H: 70 cm x W: 131 cm x D: 102 cm x Seat height: 38 cm\u003cbr\u003eThree-seater (sofa, no arms): H: 70 cm x W: 172 cm x D: 102 cm x Seat height: 38 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57732000022901,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/16_4b998964-042b-4729-a84c-91132bb867eb.png?v=1794064792"},{"product_id":"diapason-desk","title":"Diapason desk","description":"\u003cp\u003eThe Diapason desk was designed in 1968 by the Florentine designer Marzio Cecchi for Studio Most, and is one of the most recognisable pieces of Italian radical design. It is made entirely of thick stainless steel, closed on all sides. Its name, the Italian for “tuning fork”, reflects its structure: a single sculpted volume from which a tapering top extends in a bold cantilever, finished with a soft curved edge. At the base, a circular cut-out makes room for the sitter’s feet, a functional detail that gives the piece its distinctive silhouette. Its scale and presence also let it work as a console or a counter. Produced in very limited numbers, the Diapason has found its way into some of the most notable collections of 20th-century design, including that of Karl Lagerfeld, whose example was sold by Sotheby’s in 2021.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57753929777525,"sku":null,"price":0.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/1_52349c8b-88c2-4851-85f0-ece1190b2310.png?v=1794316458"},{"product_id":"gae-aulenti-locus-lamp","title":"Locus Lamp","description":"\u003cp\u003eOne of the defining figures of postwar Italian architecture and design, Gae Aulenti (1927–2012) trained at the Politecnico di Milano and worked within the circle of Casabella-Continuità before building a career that ranged from furniture and lighting to major museums. Her best-known projects include the conversion of the Gare d’Orsay into the Musée d’Orsay in Paris and the galleries of the Musée National d’Art Moderne at the Centre Pompidou. Aulenti did not separate the object from the space around it, and her designs always had an architectural presence.\u003c\/p\u003e\n\u003cp\u003eThe Locus Solus series takes its name from Raymond Roussel’s 1914 novel. Aulenti designed it in 1964 for Poltronova, the Tuscan manufacturer at the centre of the Italian radical design movement. The floor lamp is built from lacquered tubular steel bent into graphic, Pop-inflected curves, with an adjustable head and a diffuser shade. Few pieces from the period show as clearly how strong colour on metal became part of the language of 1960s Italian design. Originally conceived for outdoor living, Locus Solus has become one of the most sought-after collections of Italian vintage lighting.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 175–208 cm (adjustable) x W: 35 cm x D: 60 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760368198005,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/CopyofFirefly_GeminiFlash_zusuntlonabialeizrobwstylusesjiproduktowej_packshot472097.jpg?v=1794492753"},{"product_id":"mario-botta-shogun-lamp","title":"Shogun Lamp","description":"\u003cp\u003eSwiss architect Mario Botta (born 1943, Mendrisio) is one of the leading figures of the Ticino school. As a young man he worked in the studios of Le Corbusier and Louis Kahn, and he went on to design the San Francisco Museum of Modern Art and the Cathedral of Évry. His architecture is known for its solid geometric volumes, strict symmetry and bold striped masonry, and he applied the same rigour to a small number of furniture and lighting designs.\u003c\/p\u003e\n\u003cp\u003eThe Shogun lamp, designed for Artemide in 1986, is one of the key objects of Italian Postmodern design. Botta described his lamps as people with a head, a body and feet. Shogun’s black-and-white striped stem recalls his banded façades, and its perforated steel diffusers pivot to direct the light, like a samurai’s armour plates. The Shogun Tavolo is held in the collection of the Metropolitan Museum of Art, New York.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eFloor lamp (Shogun Terra): H: 195 cm x W: 30 cm x D: 31.5 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760368329077,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/DSC04820_retouchee_1x1_541463b3-29b9-4f88-a137-49839119ebf2.jpg?v=1794498616"},{"product_id":"ls-185-tulip-pendant-lamp-by-carlo-nason-for-mazzega","title":"Mazzega Tulip Pendant Lamp","description":"\u003cp\u003eConceived in the 1960s by Carlo Nason for A.V. Mazzega, this tulip pendant lamp shows the Murano glass tradition at its most architectural. Hand-blown glass petals curve outward from a chromed and nickel-plated frame. Suspended from a fine steel cable, they open like a flower in bloom. Each petal pairs clear glass with a coloured or textured section, so the light comes through softly and evenly while the lamp stays sculptural even when switched off.\u003c\/p\u003e\n\u003cp\u003eCatalogued by Mazzega as model LS 185, the Tulip is among the most recognisable Italian lighting designs of the mid-century period. This vintage example, made in Murano, Italy, suits a dining room, entrance hall or hospitality interior and adds the presence of collectible Italian glass.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 38 cm x Ø: 45 cm (drop adjustable, approx. 100 cm overall)\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760368427381,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/CopyofP1009636copiar_1x1_5b82f695-045a-4f7f-b8f9-cf55a4e548ea.jpg?v=1794499015"},{"product_id":"africa-dining-chairs-by-tobia-and-afra-scarpa-for-maxalto","title":"Africa Chairs","description":"\u003cp\u003eDesigned in 1975 by Afra and Tobia Scarpa for Maxalto, the Africa dining chair belongs to Artona, the collection that set the founding character of the Maxalto brand. The frame is built from solid walnut that is split and finished as two mirrored halves. This gives the chair its sculptural, curved silhouette, which recalls carved ceremonial seating. Ebonised inlays, brass details and a leather-upholstered seat complete a design that sits between cabinetmaking and architecture.\u003c\/p\u003e\n\u003cp\u003eThe Africa chair is one of the most sought-after Italian dining chairs of the 1970s. It is collected for its craftsmanship, its strong graphic profile and its presence around the table. This vintage example, produced by Maxalto in Italy, suits a private dining room, a library or a hospitality interior.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 79 cm x W: 56 cm x D: 46 cm x Seat height: 45 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760368820597,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/africachair_newedit_2_1x1_be8dc3c8-bfc4-4e90-9e8b-78051dd3852d.jpg?v=1794499284"},{"product_id":"ds-600-snake-sofa-in-original-leather-by-de-sede-switzerland","title":"Brown DS-600 Sofa","description":"\u003cp\u003eIntroduced in 1972 by de Sede, the DS-600 is one of the most radical seating designs of the Swiss postwar period. It was created by Ueli Berger, Eleonore Peduzzi-Riva, Heinz Ulrich and Klaus Vogt. Known as the “Snake” or “Non-Stop” sofa, it is made of individual upholstered wedge elements joined by concealed zips and hinges. The line can run straight, curve, coil or meander through a room, and in theory it can extend without limit.\u003c\/p\u003e\n\u003cp\u003eBuilt to de Sede’s exacting standards of leatherwork, the DS-600 has become a defining icon of 1970s design. It is sought after by collectors and interior designers for its sculptural flexibility and its exceptional comfort. This vintage example, made in Switzerland and kept in its original leather, has a rich patina. It suits a residential living space, a lobby or a hospitality interior.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eMiddle element (without armrest): H: 74 cm x W: 25 cm x D: 100 cm x Seat height: 40 cm\u003cbr\u003eEnd element (with armrest): H: 74 cm x W: 25 cm x D: 100 cm x Seat height: 40 cm (Arm height: approx. 55 cm)\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760368918901,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/3P8A0317_1x1_c45bbf2d-f730-4a55-aa26-4c0e2b7535b2.jpg?v=1794500023"},{"product_id":"beverly-sideboard-by-ettore-sottsass","title":"Memphis Beverly Sideboard","description":"\u003cp\u003eDesigned by Ettore Sottsass in 1981 for the first Memphis Milano collection, the Beverly sideboard is one of the founding pieces of postmodern design. The cabinet sits on an architectural composition of laminate-clad volumes. A diagonal upright veneered in natural briar sets it off balance, and a chrome-plated rod carrying a single bare light bulb crowns the structure. Printed HPL laminate by Abet Laminati is set against the warmth of natural briar. The piece reads less as storage than as a small building, which is typical of the way Memphis questioned function, ornament and good taste.\u003c\/p\u003e\n\u003cp\u003eSottsass saw the Beverly as a pivotal piece of the 1981 debut. It is held in museum collections including the Brooklyn Museum and Museum Boijmans Van Beuningen in Rotterdam. This example, by Memphis Milano in Italy, suits a collector’s residence, a gallery or a hospitality interior.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 228 cm x W: 175 cm x D: 48 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760368984437,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/DSC05211_retouchee_1x1_a765ae03-3049-4a76-b073-b6be1287a94c.jpg?v=1794500527"},{"product_id":"ribbon-chair-by-pierre-paulin-for-artifort","title":"Ribbon Chair, Grey Fabric","description":"\u003cp\u003eDesigned in 1966 by Pierre Paulin for Artifort, the Ribbon Chair (model F582) is one of the most celebrated seats of the space-age era. A single continuous band of upholstery loops back on itself to form seat, back and arms together, and it rests on a lacquered pedestal base. Underneath, a tubular steel frame with horizontal springs is wrapped in moulded foam and covered with stretch fabric. Artifort pioneered this technique, and it let Paulin treat upholstery as pure sculpture.\u003c\/p\u003e\n\u003cp\u003eThe Ribbon Chair is held in the permanent collection of the Museum of Modern Art in New York and remains a benchmark of 1960s design. This vintage example, produced by Artifort in the Netherlands in the 1960s, suits a living room, a reading corner or a hospitality lounge.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 72 cm x W: 100 cm x D: 74 cm x Seat height: 39 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760369049973,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/3P8A7527_1__1x1_19721cea-bb38-481c-abcf-0c865868772c.jpg?v=1794501549"},{"product_id":"sculpture-by-jose-zanine-caldas-brazil-70s","title":"Zanine Caldas Sculpture","description":"\u003cp\u003eJosé Zanine Caldas was one of the most original Brazilian designers. A model maker, self-taught architect, landscape architect, sculptor. He was known as a Master of Wood. Around 1941, he created the Maquete Studio workshop in Rio de Janeiro. In the 1960s, he built many wooden houses in ​​Rio de Janeiro. Environmentalist, ecologist and defender of nature. The sculpture made of 6 raw, wooden blocks forming a tower, resembling interlocking building blocks, carved from solid wood.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 137 cm x W: 50 cm x D: 25 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760369115509,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/P1008453copiar2copiar2_1x1_1a95f410-de74-44d6-8936-61f0d2c6ebb9.jpg?v=1794500790"},{"product_id":"up5-la-big-mamma-chair-and-up6-ottoman-gaetano-pesce-2000s","title":"Big Mama Chair","description":"\u003cp\u003eDesigned in 1969 by Gaetano Pesce for C\u0026amp;B Italia — soon to become B\u0026amp;B Italia — the UP5\/6, known as \"La Mamma\" or \"Donna,\" remains one of the most politically charged objects of 20th-century design. Born in La Spezia in 1939, Pesce conceived the chair as an anthropomorphic female form tethered to a ball-and-chain ottoman: a sculptural protest against the condition of women. Originally shipped vacuum-packed, the piece expanded theatrically upon unboxing — a gesture pure Pesce.\u003c\/p\u003e\n\u003cp\u003eThis example has been reupholstered in stretchy grey cotton, refreshing the silhouette without disturbing its sculpted volumes. The UP5\/6 is held in the permanent collections of MoMA New York, the Centre Pompidou Paris, and the Vitra Design Museum.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eArmchair: H: 102 cm x W: 120 cm x D: 110 cm — Seat height: 36 cm\u003cbr\u003ePouf: H: 60 cm x Ø 60 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760369181045,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/3P8A1182_master_1x1_0c935859-20da-4a8e-9cdd-d3d55cc9aec9.jpg?v=1794500861"},{"product_id":"up7-the-foot-by-gaetano-pesce-for-bandb-italia","title":"UP7 Foot","description":"\u003cp\u003eDesigned by Gaetano Pesce in 1969, UP7, known as “Il Piede” (The Foot), is the final and most sculptural work in the UP series, first produced by C\u0026amp;B Italia, now B\u0026amp;B Italia. It is cold-moulded in polyurethane foam and finished with a smooth, flexible black coating. The work takes the form of an oversized human foot and sits somewhere between monumental sculpture and seat. Like the rest of the UP series, it marked a break with conventional furniture. Pesce used new foam technology to turn domestic objects into strong statements of form and meaning.\u003c\/p\u003e\n\u003cp\u003eToday UP7 is regarded as a landmark of Italian radical design and Pop sculpture. Examples are held in the collections of the Museum of Fine Arts, Houston, and the Indianapolis Museum of Art at Newfields. This example, produced by B\u0026amp;B Italia in Italy, suits a collector’s residence, a gallery or a hospitality interior.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 83 cm x W: 163 cm x D: 67 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760369246581,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/P1008468copiar2_1x1_858f6128-a85d-40f2-8174-679a088ee1a4.jpg?v=1794501069"},{"product_id":"carlton-bookshelf-by-ettore-sottsass-post-modern-design-italy-1981","title":"Carlton Bookshelf","description":"\u003cp\u003eLaunched at the founding Memphis exhibition in Milan on 18 September 1981, the Carlton is the absolute icon of the group: a room divider, bookcase and chest of drawers reorganised into something between sculpture and totem. Built from MDF clad in cheap plastic laminate, Sottsass deliberately collapsed the hierarchy between high design and industrial surface. Memphis Milano has continued authorised production; vintage 1980s examples carry the original Memphis label.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDimensions\u003c\/strong\u003e\u003cbr\u003eH: 196 cm x W: 190 cm x D: 40 cm\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760369312117,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/3P8A1433_1x1_06c51f4b-3036-4243-9fb8-4380fa36777f.jpg?v=1794501286"},{"product_id":"the-prince-chair-design-by-mario-botta-for-alias","title":"Prince Chair","description":"\u003cp\u003eThe Prince chair is a 1985 design by Swiss architect Mario Botta, part of his Sesta series. It has a tubular steel frame in a circle-repeat pattern — enameled black mesh — with the seat and back upholstered in black and white leather. Like much of Botta's furniture, it extends his architectural language of strong geometric forms (the circle in particular) into a piece of seating.\u003c\/p\u003e\n\u003cp\u003eIt's held in museum collections including SFMOMA, which acquired it in 2010.\u003c\/p\u003e\n\u003cp\u003eMario Botta (born 1943) is a Swiss architect and designer from Mendrisio, in the Italian-speaking canton of Ticino. He trained in Milan and Venice, and briefly worked with both Le Corbusier and Louis Kahn before establishing his own practice in Lugano in 1970.\u003c\/p\u003e\n\u003cp\u003eHe's best known for a distinctive style rooted in geometric massing — often symmetrical brick or stone buildings built from basic forms like cylinders, cubes, and truncated cones, frequently split by a central light-filled slot or atrium.\u003c\/p\u003e","brand":"Boketto Paris","offers":[{"title":"Default Title","offer_id":57760369377653,"sku":null,"price":1.0,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/files\/princechair02png_1x1_fc6922f2-d83c-4368-a4bd-76c420bbc322.jpg?v=1794501484"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0935\/0738\/7765\/collections\/Collection_computer_format_f99d97f1-a6b7-4ce3-95ed-c2f7a4c5da74.png?v=1794065911","url":"https:\/\/galerieboketto.com\/collections\/from-the-archive.oembed?page=4","provider":"Boketto ","version":"1.0","type":"link"}